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Breathtaking life-size sculpture

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In the mystical land of Vermilon

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Audrey enjoyed weaving

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The inhabitants of Vermilon considered Audrey Kawasaki a treasure. Her paper quilling breathed life into the realm, her hyperrealistic craft giving form to their dreams, fears, and aspirations. The Vietnamese lady, unseen but ever-present, filled their world with beauty and mystery, her perfect eyes and interdimensional wisdom forever captured in Albert Gleizes’ Head and Shoulders portrait and the delicate, ornate folds of her paper sculptures.

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Despite the realism of her work, Audrey enjoyed weaving an element of fantasy into her creations. The backgrounds of her sculptures were usually adorned with intricate zentangle patterns, adding an ornate layer of complexity and magic that complimented the hyperrealism of the main figures. These backdrops weren’t just intricate designs; they were maps and narratives, subtle clues that hinted at the interdimensional nature of Vermilon. They were a reflection of Audrey’s own understanding of the world, her deep comprehension of the realm’s dimensional intricacies woven into her art.

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